American cinema has always been a haven for movie-seekers, as it is full of various categories and ideas, including drama, comedy, science fiction, animation, suspense, and horror, while Bollywood cinema has for decades been accused of being a melodramatic or lyric dance.
The strangest thing is that most of the Indian plots are overly tragic, accustomed to the momentum in the parades, even at the head of death and over the ruins of corpses, while the ends of the films came in most of the incredible from any direction.
Jasmine Adel
American cinema has always been a haven for movie-seekers, as it is full of various categories and ideas, including drama, comedy, science fiction, animation, suspense, and horror, while Bollywood cinema has for decades been accused of being a melodramatic or lyric dance.
The strangest thing is that most of the Indian plots are overly tragic, accustomed to the momentum in the parades, even at the head of death and over the ruins of corpses, while the ends of the films came in most of the incredible from any direction.
From melodrama to creativity
A good follower of Indian films in recent years can realize how their makers struggled and tried to get out of the box they were locked in for long, presenting ideas that are not only bold and new to them, but that some of them exceeded the local ceiling and succeeded in reaching the world and engraving the names of their owners in minds so that they have followers all over the world .
Accordingly, American cinema has been a ghost chasing Bollywood stars and their films, not only globally, but also local in India itself, and here lies the problem of artistic and commercial faces.
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